Why does this locket not display hallmarks by Lamborn and Wagner?

Many pieces by Lamborn and Wagner, including this locket, lack hallmarks due to the absence of a uniform hallmarking system in Colonial Victoria, unlike the British system. Lamborn and Wagner used punch marks inconsistently, making precise dating challenging. This locket, attributed to them based on style, has been expertly examined by leading Australian Colonial jewellery professionals and confirmed as their work despite the absence of punch marks.

When hallmarks are absent how do experts attribute jewellery to specific makers?

When hallmarks are absent, experts use several methods to attribute jewellery to specific makers: Stylistic Analysis: Comparing the design elements, motifs, and craftsmanship with other known works by the maker. Material Study: Analysing the metals and gemstones used, as certain makers preferred specific materials. Construction Techniques: Examining the methods and techniques used in crafting the piece, which can be unique to certain jewellers. Provenance Research: Investigating the piece's history and previous ownership to trace connections to specific makers. Documentation and Records: Reviewing historical documents, catalogues, and advertisements related to the jeweller. Expert Consultation: Consulting with historians and experts who specialise in the period or jeweller for insights and verification.

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Absolutely, we offer a guarantee on all our jewellery. This covers the quality, authenticity, workmanship, and integrity of every piece. Your satisfaction and trust are our top priorities!

Australian Colonial Revolving Photo Locket by Lamborn and Wagner

An Australian 15ct yellow gold revolving photo locket by Colonial jewellers Lamborn and Wagner with emu, kangaroo and dove

This exquisite Victorian 15ct yellow gold revolving photo locket is a remarkable piece of Australian jewellery, crafted by the esteemed jewellers Lamborn and Wagner of Melbourne around 1880. As one of the earliest firms of manufacturing jewellers in Australia following the 1851 gold rushes, Lamborn and Wagner have left an indelible mark on the history of Australian craftsmanship. This locket, an early example of their work, stands as a testament to their artistry and innovation.

The locket is encircled by a border of intricately connected vine leaves, symbolising growth and prosperity. Adding a uniquely Australian touch, motifs of an emu and kangaroo, symbols that have become national emblems, are seamlessly integrated into the design. These elements not only highlight the local flora and fauna but also reflect the burgeoning national identity of Australia during that era. A dove, representing peace and elegance, completes the trio of motifs, bringing a sense of harmony to the composition.

Featured central to the locket is a hand painted portrait of a very sophisticated young lady, captured with remarkable detail. Draped in gold necklaces and pearls, she exudes elegance and refinement. Her attire, featuring the finest red silk and high collared lace, is indicative of impeccable fashion and taste of the Victorian period. The identity of this young lady remains a mystery, yet her presence in such a distinguished piece suggests her significance, perhaps one of the esteemed jeweller's wives or a prominent customer's loved one.

This locket is a notable piece of Australian history and craftsmanship. It has been prominently featured in the book "Australian Jewellers, Gold & Silversmiths - Makers & Marks" by K. Cavill, G. Cocks, and J. Grace. As plate 164, it is recognised for its artistic and historical value.

The locket stands as a unique intersection of personal memory and national identity. It is a true treasure, evoking the elegance and romance of a bygone era, while celebrating the pioneering spirit of early Australian craftsmanship.

Circa: 1880
Jeweller: Lamborn & Wagner of Melbourne
Design Style: Victorian
Origin: Australia
Metal: 15ct Yellow Gold
Measurement: 54.00 x 52.00 mm
Motifs: Vine Leaves, Emu, Kangaroo & Dove
Marks: Not signed but attributed to Lamborn & Wagner by experts within the Australian Colonial jewellery field.
Accompanied by an independent Ian Abeshouse Valuation

Australian Colonial Jewellery by Lamborn and Wagner

Lamborn and Wagner were pioneering figures in Australian colonial jewellery, operating together as business partners from approximately 1856 to 1884. Their legacy is rooted in the rich history of the Victorian gold rush era. Drawn by the prospect of prosperity, they ventured from London to Australia in 1851, captivated by the sensational discoveries of gold in the Victorian fields. This move set the stage for their significant contributions to the start of Australia's burgeoning jewellery industry.

Lamborn, having completed a rigorous seven year apprenticeship to become a jeweller, demonstrated exceptional craftsmanship and skill. This extensive training period not only reflects the dedication required in the trade but also underscores the high quality of the pieces he produced. His expertise was instrumental in establishing the reputation of Lamborn and Wagner as leading jewellers in Melbourne.

Their jewellery, often referred to as "Colonial Jewellery," at the time, embodied a sense of confidence and pride in Australian designed and produced pieces, setting them apart from British and European imports. This distinction highlighted the unique identity of Australian craftsmanship during the colonial period and marked a shift in cultural appreciation for locally made luxury items.

They were were known for their traditional signature motifs, particularly vines and doves, which adorned many of their creations. These motifs symbolised growth, peace, and prosperity. However, they also incorporated distinctly Australian elements, such as the emu and kangaroo, into some of their rarer pieces. This incorporation of national symbols, like the emu and kangaroo, celebrated Australia's unique identity and natural heritage.

The partnership and subsequent expansion of Lamborn and Wagner's business made them one of the first jewellery manufacturers in Melbourne and cemented their status as the most prominent of their time. Their influence on the colonial jewellery scene was profound, setting a standard for quality and creativity that resonated in the cultural fabric of Australia. Their work, characterised by unparalleled craftsmanship and innovative designs, remains a testament to their legacy as trailblazers in Australian jewellery.

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