Why does this locket not display hallmarks by Lamborn and Wagner?

Many pieces by Lamborn and Wagner, including this locket, lack hallmarks due to the absence of a uniform hallmarking system in Colonial Victoria, unlike the British system. Lamborn and Wagner used punch marks inconsistently, making precise dating challenging. This locket, attributed to them based on style, has been expertly examined by leading Australian Colonial jewellery professionals and confirmed as their work despite the absence of punch marks.

When hallmarks are absent how do experts attribute jewellery to specific makers?

When hallmarks are absent, experts use several methods to attribute jewellery to specific makers: Stylistic Analysis: Comparing the design elements, motifs, and craftsmanship with other known works by the maker. Material Study: Analysing the metals and gemstones used, as certain makers preferred specific materials. Construction Techniques: Examining the methods and techniques used in crafting the piece, which can be unique to certain jewellers. Provenance Research: Investigating the piece's history and previous ownership to trace connections to specific makers. Documentation and Records: Reviewing historical documents, catalogues, and advertisements related to the jeweller. Expert Consultation: Consulting with historians and experts who specialise in the period or jeweller for insights and verification.

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Absolutely, we offer a guarantee on all our jewellery. This covers the quality, authenticity, workmanship, and integrity of every piece. Your satisfaction and trust are our top priorities!

Australian Colonial Lamborn and Wagner Revolving Locket

This remarkable 15ct yellow gold revolving locket, attributed to the esteemed Australian jewellers Lamborn and Wagner, embodies a rich piece of history and craftsmanship. The locket is adorned with a decorative border of intricate vine leaves, a symbol of growth and prosperity, gracefully encircling a central dove. This dove, often representing peace and purity, is beautifully complemented by stylised leaves and a delicate flower at the bottom, showcasing the jeweller's attention to detail and artistic finesse.

On the front, the locket features a photograph of an elite lady, elegantly dressed in her finest attire, a testament to her status and sophistication. The reverse side reveals a distinguished gentleman, both figures likely influential in Colonial Australia. Though their identities remain unknown, one can only imagine the lives they led and the stories they could tell, reflected in the luxury and detail of this exquisite piece.

The locket not only serves as a personal keepsake but also as a window into the past, offering a glimpse of the social and cultural landscape of the time. The craftsmanship and materials used highlight the artistry and quality for which Lamborn and Wagner were renowned. Their use of 15ct gold and intricate designs speaks to the opulence and elegance that defined the era.

This locket, with its revolving feature, allows for a dynamic display of the photographs, making it a versatile and cherished piece. Whether worn or displayed, it continues to captivate with its historical significance and timeless beauty, inviting admiration and curiosity about the lives of those immortalised within. Truly, it is not just a piece of jewellery but a treasured artefact of Australian heritage

Circa: 1880
Jeweller: Lamborn & Wagner of Melbourne
Design Style: Victorian
Origin: Australia
Metal: 15ct Yellow Gold
Measurement: 55.00 x 45.00 mm
Motifs: Vine Leaves, Dove and Flower at base paired with stylised leaves.
Marks: Not signed but attributed to Lamborn & Wagner by experts within the Australian Colonial jewellery field.

Australian Colonial Jewellery by Lamborn and Wagner

Lamborn and Wagner were pioneering figures in Australian colonial jewellery, operating together as business partners from approximately 1856 to 1884. Their legacy is rooted in the rich history of the Victorian gold rush era. Drawn by the prospect of prosperity, they ventured from London to Australia in 1851, captivated by the sensational discoveries of gold in the Victorian fields. This move set the stage for their significant contributions to the start of Australia's burgeoning jewellery industry.

Lamborn, having completed a rigorous seven year apprenticeship to become a jeweller, demonstrated exceptional craftsmanship and skill. This extensive training period not only reflects the dedication required in the trade but also underscores the high quality of the pieces he produced. His expertise was instrumental in establishing the reputation of Lamborn and Wagner as leading jewellers in Melbourne.

Their jewellery, often referred to as "Colonial Jewellery," at the time, embodied a sense of confidence and pride in Australian designed and produced pieces, setting them apart from British and European imports. This distinction highlighted the unique identity of Australian craftsmanship during the colonial period and marked a shift in cultural appreciation for locally made luxury items.

They were were known for their traditional signature motifs, particularly vines and doves, which adorned many of their creations. These motifs symbolised growth, peace, and prosperity. However, they also incorporated distinctly Australian elements, such as the emu and kangaroo, into some of their rarer pieces. This incorporation of national symbols, like the emu and kangaroo, celebrated Australia's unique identity and natural heritage.

The partnership and subsequent expansion of Lamborn and Wagner's business made them one of the first jewellery manufacturers in Melbourne and cemented their status as the most prominent of their time. Their influence on the colonial jewellery scene was profound, setting a standard for quality and creativity that resonated in the cultural fabric of Australia. Their work, characterised by unparalleled craftsmanship and innovative designs, remains a testament to their legacy as trailblazers in Australian jewellery.

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