Victorian_Silver_chinoiserie_locket Victorian_Silver_locket Victorian_sterling_Silver_locket

  • Description
  • Specifications
  • History
  • An intricately engraved Victorian Chinoiserie silver locket depicting a bird and butterfly. The term 'chinoiserie' comes from the French term 'chinois' which was a style influenced by the art and design of China, Japan and other Asian countries from the 1750s. Chinoiserie design was a fanciful style that relied on the artists imagination to portray oriental motifs and ornaments. This style was very popular during the Victorian age and can be seen in furniture, ceramics, books, engravings and jewellery. 

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  • Circa: Victorian
    Material: Sterling Silver
    Measurements: 55.00 x 32.00 mm

  • The Victorian Period (1837 - 1901):
    The Victorian Period defined by none other than Queen Victoria herself, had three stages - the Romantic, the Grand and the Aesthetic.

    It was during the Romantic era that Queen Victoria married her Prince, Albert. Sentimental motifs such as; hearts, lover’s knots, flowers, bows, crescent moons and particularly serpents (which was subject to Queen Victoria’s engagement ring which represented enduring love) became extremely popular in jewellery design. Cameos, Enamelling and the use of bright coloured gemstones such as; garnets, amethysts, turquoise, pearls and diamonds gave way to the creation of jewellery that was beginning to speak a symbolic language of its own.

    The Grand Victorian era was a sombre period which saw Queen Victoria mourning the death of her beloved husband Albert. It encompassed 20 years during which time Victoria would only wear black and mourning jewellery. As a result the Whitby Jet industry flourished and onyx and deeper coloured garnets rose in popularity. Rings, lockets and brooches were commissioned with compartments for a lock of a loved one’s hair and were often engraved with the person’s name, age and date of death.

    The Aesthetic era saw a return to the light-heartedness of the Romantic Era. The discoveries being made through archaeology led to an Etruscan Revival with Greek, Roman and Renaissance influences becoming apparent in jewellery design as well as symbols of good luck and fortune.